Vicente García carried forward in an exemplary way the musical instructions that were enunciated by Felipe Pedrell in Por nuestra música (1.891); Vicente Ripollés transmitted these musical instructions to him. In his compositions, we can find a connecting theme, all through the twentieth century, that summarizes the Gregorian liturgical music tradition of Pius X's Motu proprio, with different innovating and contemporary tendencies that he lived.
In the cataloguing of his work, which was composed in each cathedral where he was like a chapel master, we can see a parallelism with his compositions and Rome instructions and, of course, bishopric instructions where he was.
His musicological and research task, his worry about the transcriptions, the polyphonic retrieval of the sixteenth and seventeenth century and the performance of this music have been a connecting theme in his musical life like a choirmaster and conductor of the schola cantorum in each cathedral and seminary where he was like a chapel master.
The choral interpretations in Tarragona and Castellón are heritage of the school he founded in Tortosa's seminary round liturgical music.